Risk Assessment

Call sheet

Here are examples of Call sheet's. The call sheet is to organise the whole cast with timings, locations and the whole set up. The Call sheet will show the set production, Camera, sound, video, set lighting, grip aditional labour, make-up and hair, wardrobe, art department, construction, set decoration, props, special effects, stunts, first aid, craft service, production office, accounting, casting, extras casting, post production/editorial, publicity, caterer, locations, transportations, set and description.




Call sheet 1.

This is a call sheet from the movie "Now and Then" which basically is a breakdown of all that is involved in filming a particular scene. At the time the movie was being called "The Gaslight Addition". This particular scene was eventually cut from the movie yet pictures from the Carnival did appear in the "Now and Then" book. Note Ashleigh Aston Moore was listed as Ashleigh Rogers her birth name. Also note the character Angela was played by Rumer Willis which is Demi Moore's daughter yet during the end credits she was listed as Willa Glen

Call sheet 2.

Director: Javier VicianoAssistant Director: Melvin RoysterProducers: Jessica Zucal, Brian McAfee
Location: The Washington Navy Yard901 M Street SEWashington DC 20374
Unit Call: 3-00On Location: 4:00
Sets: Rader Room and Corridor
Scenes: 3-5, 7, 16, 31
Actors:Pam - LizChris - RicoJessica - JenaMac - Garrett

Camera: Amber, AprilSound: Andrew, Ben
Costumes: Michelle
Transport: Bus Trains Autos


3-00pm
Call
3-30 pm
Meet, Load EquipmentTravel to Washington Navy YardLocation contact:Commander Trumble - 202-433-6111Crew Contact: Jessica Zucal - 703-470-2829
4-30pm
Unload Equipment at Navy Yard
5-00pm
Set and Light
5-45pm
Shoot
8-00pm
Rap it up
8-30pm
Travel home

7-00am:

Call
7-30:

Travel to:The Washington Navy Yard901 M. Street SE Washington DC 20374
Location contact: Commander TrumbleTelephone: 202-433-6111Crew Contact: Brian McAfeeTelephone/pager:
8-30:

Unload at Navy Yard
9-00:

Set and Light
10-00:

Shoot
12-30 - 1-30

Lunch
1-45

Shoot
5-00 0r 6-00

Wrap
5-30 or 6-30

Travel home

REF: Call sheet 1. Google [Online]. Available at http://www.frontiernet.net/~rcowart/callsheet.html. Date accessed 2/11/09.

REF. Call sheet 2. Google [Online]. Available at http://mason.gmu.edu/~lsmithg/gtvcall2.htm. Date accessed: 2/11/09.

Renting equipment

To rent this cvamera crane for the day it will cost: £107.23

4,5 metres of Straight Track,4,5 metres of Curved Track ( a nearly 90º curve)2 track End-Stops a set of 4 Tracks WheelsSteering lock A Soft carry case for: £60.00

K6 Kiosk. The Traditional Red Kiosk.1936 to present. a hydrolic trailer is needed to transport this phone box because its very heavy.
Good Street Condition £200 Restored Condition £450
enquires: enquiries@unicornkiosks.com

This fantastic Magnum gun is made in Spain in Die Cast Metal. A full size heavier weight gun with a smooth trigger operation and movements ensures a shot with each action.

To rent this hand gun, it will be £8

Price £73 x3 = £219 for the costumes alltogether.




REF: Joke [Online] Available at: http://www.joke.co.uk/fancy_dress/adult_4_piece_police_cop_costume~61585.html.

Ref: Hand gun. Joke.com [Online]. available at http://www.joke.co.uk/fancy_dress/gun_metal_magnum_gun~10222.html.

REF: camera crane.

http://www.filmstarrentals.com/index.php?app=ccp0&ns=prodshow&ref=support_jonyjib&sid=aqdcm1v1g438kngse50k2r0t983hpu19


REF: camera track info.
http://www.3rdeyecamerahire.co.uk/track_and_dolly.htm



REF: Camera track pic. google images. date accessed 19/10/09.
http://www.fightingfilms.com/acatalog/track.jpg

REF: red telephone box.
http://www.unicornkiosks.com/phone-box-hire.html

Here are several well-known locations in which the the actors can meet up with us "the crew" before going of to specific parts off the square, whether its for briefs, food, acting and/or filming etc.

A key point is to make sure the actors are arranged to meet at a time where the crew have set up first so they are not standing waiting. If this happens, the actors will become fustrated or bored and not play their roll properley.


Brian Clough

The fountains

The lions

The council house

The whole square

REF: Lion pic.google images. date accessed19/10/09.

http://static.panoramio.com/photos/original/15679273.jpg

REF: Square pic. Google images. date accessed 19/10/09.

http://www.spacesyntax.com/Files/MediaFiles/Nottingham%20Old%20Market%20Square_500.jpg

REF: Council house. Google images. date accessed 19/10/09.

https://reg.istrations.com/tbevent_images/0000/0356/MarketSquare300x400_thumb_300.jpg

REF: Fountains. Google images. date accessed 19/10/09.

http://s0.geograph.org.uk/geophotos/01/31/13/1311308_23b8889e.jpg

REF: Brian. Google images. date accessed 19/10/09.

http://upload.wikimedia.org/wikipedia/en/thumb/d/d6/Brian_clough_statue_nottingham.png/180px-Brian_clough_statue_nottingham.png

Suzy (Voices)

Welcome to Suzy Wootton VoicesWe supply highly skilled professional actors for voice over work for TV and Radio Commercials, Documentaries, Corporate training, cartoons, TV promotions, Computer Games, CD ROMs, Suzy Wootton Voices can supply all your voicing needs.There are short demos of each actor available on the web site. Suzy Wootton Voices can email sound files or mail CD's, also you can order a full CD via the web site or by phone.If you know what you want i.e. Accent/age/range/style then it is just a matter of contacting Suzy to check availability of the actor and agree the fees .If you need help with casting then Suzy Wootton will be more than happy to advise you.. You can contact Suzy Wootton Voices by telephone, fax or by email, details can be found on the Contacts page.Payments can be made by cheque, visa card via the web site or wire transfer.


SUZY WOOTTON VOICES72 TOWCESTER ROADFAR COTTON, NORTHHAMPTON NN4 8LQ PHONE: +44 (0) 870 765 9660FAX: +44 (0) 870 765 9668MOBILE: +44 (0) 7970 263991EMAIL: suzy@suzywoottonvoices.comWEB SITES: www.suzywoottonvoices.com www.suzywoottonvoices.co.uk


REF: http://www.suzywoottonvoices.com/index2.html

Actors

Here are 6 actors, one of which is 12 years of age. The five men are suitable, with evidence fromt heir stats. They are all the correct age and look like policemen.

Asa Butterfield

DOB: 1/4/97

Height 4' 4

Eye colour: Blue

Hair colour: Dark brown

Ronan Summers

Playing Range:
21 - 31
UK Base:
London
Weight:
13 St 6 lbs
Native Accent:
East Coast USA
Height:
5 feet 10 inches
Build:
Medium
Hair:
Brown
Eye Colour:
Hazel

Biography:Since graduating from the Royal Welsh College of Music And Drama in 2004, Ronan has had a wide and varied career. His film credits include Batman: The Dark Knight and Oliver Stone’s W. His TV credits include Minder, Banged Up Abroad, and Dubplate Drama. Ronan started his post drama school theatrical career with an Ensemble/understudy role in Arthur Miller’s final script Resurrection Blues, directed by Robert Altman for The Old Vic. Since then he has gone on to success with Chesterlass Productions in their five star Edinburgh Fringe hit, I Kissed A Frog And It Gave Me Herpes, and its Four star follow up, Waxing Cynical. Ronan also narrated the entire first two series of Monkey Thieves for National Geographic.

Shaun Stone

Playing Range:
27 - 37
UK Base:
London
Weight:
11 St 0 lbs
Native Accent:
East London
Height:
5 feet 8 inches
Build:
Medium
Hair:
Light Brown
Eye Colour:
Brown

Biography:Born in London, Shaun trained at The Poor School. Theatre work includes: Diary Of A Single Man (Theatre Royal Stratford East) Throwing Stones (Greenwich Playhouse) and Faultlines (The Union). Television credits include: Murder City (series regular, Granada) The Bill, 5 episodes (Talkback Thames) Stephen Poliarkovs 'She's Been Away' (directed by Sir Peter Hal, BBC) Absolute Power (BBC). Films include: Is Harry On The Boat? (with Danny Dyer, Ruby) and It Was An Accident (with Thandie Newton) Pathe. Shaun has also appeared in numerous UK commercials, including: Persil, Evening Standard, Scottish Power and Holmes Place - which made it into the 100 sexiest ads! He is also an experienced voiceover artist and has 8 years extensive corporate and medical role play experience.

Owen G Bevan

Playing Range:
20 - 29
UK Base:
London
Weight:
14 St 2 lbs
Native Accent:
RP
Height:
5 feet 11 inches
Build:
Stocky
Hair:
Brown
Eye Colour:
Blue/Grey

Biography:Owen is a graduate of the late Bretton Hall (University of Leeds) where he developed depth and versatility whilst covering a wide range of juxtaposing roles. From the crazed Dr Everett Scott in The Rocky Horror Picture Show to the manipulative Charles in David Mamets The Shawl, Owen has embraced the diverse and the challenging. Owen has since been involved in a number of low budget short films and features for the award winning Anonymous Room Productions as well as television work for Anglia Television and Sky. Most recently Owen has been touring the country with Chapterhouse Theatre Company’s outdoor production of A Midsummer Nights Dream playing the commanding Oberon and narcissistic Theseus.

Giles Alderson

Playing Range:
28 - 38
UK Base:
London
Weight:
13 St 0 lbs
Native Accent:
Yorkshire
Height:
6 feet 2 inches
Build:
Thin
Hair:
Brown
Eye Colour:
Hazel

Biography:Giles trained at Drama Studio London, He has just been seen in cinema’s as Carl in Ealing Studio’s I Want Candy, with Mackenzie Crook and Carmen Electra. His film credits include: playing the lead in forthcoming British horror, A Dying Breed, and one of the leads in Diagnosis Superstar, a comedy set in a mental home. He’s also just filmed Mixed Up, playing Tim Robinson and The Damned United for BBC Films playing Colin Todd with Michael Sheen, Timothy Spall and Jim Broadbent, directed by Tom Hooper (all of the above will be released in 2009) He played the lead role of Vincent in vampire feature Night Junkies (just released in the US), Joel in ‘Three Minutes Moments and FBI Agent Kyle Fraser in sci-fi film LVJ. He is currently in the online drama Kate Modern playing Steve. He recently finished playing Lucentio in Taming of the Shrew at Canterbury’s Open Air Theatre. Other theatre includes: High Society (West End), Demitrius in Mid Summer Nights Dream in Cambridge, Rocky in The Rocky Horror Show in Europe, Orlando in As You Like It, Kenickie in Grease at the Jersey Opera House, Malcolm in Macbeth and Buddy in Full Monty at The Key in Peterborough .

Guy Addison

Playing Range:
18 - 28
UK Base:
London
Weight:
10 St 5 lbs
Native Accent:
Estuary
Height:
5 feet 10 inches
Build:
Thin
Hair:
Light Brown
Eye Colour:
Hazel

Web Pin:
4796a
Biography:Guy Addison graduated from Mountview Academy in June last year. His work there included the title role in Richard III, Phil/Armstrong in ‘An Experiment With An Air Pump’ at The Pleasance, Islington and Madox Ford in ‘After Mrs. Rochester’ at The Albany, Deptford. Since finishing training his theatre work includes a fringe adaptation of Antony & Cleopatra for The LOST Theatre Company, a production of ‘The Duck Variations’ by David Mamet at The Tabard, ‘Better Late’ by Georges Feydeau at The Grange Court Theatre and ‘Random Acts of Violence and Misadventure’ by Kenny Emson at the Tabard. Guy is currently seeking representation and can be contacted at guyaddison@hotmail.co.uk

REF: 3 male actors. CastNetUK [Online]. Available at: http://www.castingnetwork.co.uk/casting/html/castlist.asp?cdid=0. Date accessed: 1/11/09.
REF: Asa. Young actors Theater. Available at: http://www.yati.org.uk/agency.html. Date accessed: 1/11/09

PRS for Music is home to the world's best music writers, composers and publishers. Formed as The MCPS-PRS Alliance in 1997 with the PRS for Music brand adopted in 2009, the organisation brings together two royalty collection societies; MCPS and PRS. We exist to collect and pay royalties to our members when their music is exploited in one of a number of ways – when it is recorded onto any format and distributed to the public, performed or played in public, broadcast or made publicly available online. PRS for Music is one of the world’s most efficient combined rights collecting operations. Offering its members more money, more often, at less cost and its customers the most efficient means by which they can use music.
Where does the money come from?
Money is due to PRS for Music for any public performance of music, whether live or recorded, and from radio and television broadcasts and online.

MCPS generates money through licence fees from the recording of our members’ music on many different formats, including CDs and DVDs.

Where does the money go?
PRS for Music and MCPS pay money collected to their writer, composer and music publisher members. Both organisations are ‘not for profit’ and only deduct a small administration/commission fee to cover operating costs.

MCPS’ activities are governed by a Board of 18 Directors appointed by the MPA comprising 12 Publishers, 4 full writer members of MCPS, The Chief Executive, the Managing Director and two Executive Directors, MCPS. The Chairman is elected from among the Directors.

REF: google/mcps website. date accessed 16/10/09.

http://www.prsformusic.com/aboutus/essentialinformation/mcpsboard/Pages/MCPSboard.aspx